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Nigel's evidence part 1
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Author:  Nidge2 [ Wed Mar 09, 2005 7:33 pm ]
Post subject: 
Sussex wrote:
You could do a lot worse than print off and read M&R.
The one TDO sent to the licensing officers in Liverpool written by Spencer AKA JD??
Author:  TDO [ Wed Mar 09, 2005 7:39 pm ]
Post subject: 
Nidge wrote:
Sussex wrote:
You could do a lot worse than print off and read M&R.
The one TDO sent to the licensing officers in Liverpool written by Spencer AKA JD??


No, that was the one written by me AKA Dusty Bin :lol:
Author:  Sussex [ Wed Mar 09, 2005 7:44 pm ]
Post subject: 
Nidge wrote:
Sussex wrote:
You could do a lot worse than print off and read M&R.
The one TDO sent to the licensing officers in Liverpool written by Spencer AKA JD??

Well let's hope the Liverpool LO has read M&R, and relised how foolish a decision it would be to keep taxi quotas.

BTW, is that your mound of evidence that the mythical solicitior/owner of TDO is selling himself to councils?
Author:  Nidge2 [ Wed Mar 09, 2005 7:44 pm ]
Post subject: 
TDO wrote:
Nidge wrote:
Sussex wrote:
You could do a lot worse than print off and read M&R.
The one TDO sent to the licensing officers in Liverpool written by Spencer AKA JD??


No, that was the one written by me AKA Dusty Bin :lol:


Same thing :lol: :lol: :lol:
Author:  captain cab [ Wed Mar 09, 2005 8:48 pm ]
Post subject: 
Special AKA?

The Special A.K.A
In The Studio (Chrysalis/Capitol)
By: Alex Steininger

After two successful full-lengths, 1979's self-titled debut and 1980's More Specials, The Specials were on the rise. In July 1981 they topped the British charts with "Ghost Town", making them one of the most significant bands in Europe.
However, within two months of the release of "Ghost Town", The Specials ceased to exist, at least in their original form. Singers Terry Hall and Neville Staples left to form The Fun Boy Three with Specials rhythm guitarist Lynval Golding.

At the same time, lead guitarist Roddy Radiation left to focus on his own side-project, The Tearjerkers.

Principle songwriter Dammers regrouped The Specials with the original rhythm section of bassist Sir Horace Gentleman and drummer John 'Brad' Bradbury, reverting back to their original name, The Special A.K.A.

Bringing in guest musicians and vocalists, Dammers' vision for the elusive third album, a Specials album without The Specials, was a lot more flexible. The band never played live, rarely appearing on television. Instead, a the title suggests, they purely a studio band, where they could really experiment with their sound and not limit themselves to a certain sound or style.

The outcome is a much more flexible record, one that didn't revolve around ska, but various pop and dance grooves. More experimental, but not as innovative as The Specials' previous two records, by 1985 The Special A.K.A existed only in name, with Dammers performing "Nelson Mandela" for the Artists Against Apartheid U.K., an agency he helped form.

A classic record in its own right, and one that documents the The Specials tremendous history, In The Studio is their weakest album, partly due to its all-over-the-map approach, as well as its complete departure from the sound that made The Specials so great.
Author:  Sussex [ Wed Mar 09, 2005 8:52 pm ]
Post subject: 
captain cab wrote:
Principle songwriter Dammers regrouped The Specials with the original rhythm section of bassist Sir Horace Gentleman and drummer John 'Brad' Bradbury, reverting back to their original name, The Special A.K.A.

Well Nigel does live in a 'Ghost-town'. :shock:
Author:  TDO [ Wed Mar 09, 2005 10:29 pm ]
Post subject: 
I like the reference to the Fun Boy Three - that must be Nidge, Gateshead Angel and Mr T :lol:
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